Some other compositions are still in the usual modern repertoire, but I always tent to use the most epured melodic material I can, and I try to write compositions which don’t need particular arrangements, in order to allow the maximal space of freedom for each musician.Through this repertoire, I efforced myself to propose a language which is rooted in the tradition of jazz, and which is in the same time concerned in opening new doors. This program is indeed in the continuity of the sixties, very influenced by my favorites, John Coltrane, Wayne Shorter, Joe Henderson, but tries nevertheless, through open space and through the Rajazz concept, to sign up our present time.

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